Abstract-expressionism-art

Abstract Expressionism Art

Denver Art Museum

Elaine de Kooning, "Bullfight, " 1959

Elaine de Kooning (born in Brooklyn) produced portraits into the 1940s as an easy way of placing by herself "into the contemporary discussion on abstraction versus representational painting, " the DAM writes in a biography of de Kooning, within the convention's catalogue. A lot of those portraits depicted male "authorities" on postwar painting like Frank O'Hara and Harold Rosenberg.

Joan Mitchell (1925-1992)

Joan Mitchell, "Hudson River Day Line, " 1955

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"we paint from a length. I decide what my goal is to do from a distance. The freedom during my work is rather controlled. I do not close my eyes and hope for the best." - Joan Mitchell, born in Chicago, Illinois.

Mary Abbott (1921-)

Mary Abbott, "All Green, " 1954

a relationship between Abbott (born in New York City) and poet Barbara Guest inspired a number of "poetry paintings, " in which Guest would recite a phrase and Abbott would respond in paint, or the other way around, in a cycle of collaboration.

Deborah Remington (1930-2010)

Deborah Remington, "Apropos" or "Untitled, " 1953

Deborah Remington (created in Haddonfield, nj) co-founded the Six Gallery in 1954 with five males. The San Francisco room is certainly going straight down of all time as venue which Allen Ginsberg very first openly read his poem "Howl."

Judith Godwin (1930-)

Judith Godwin, "Epic, " 1959

An association between Judith Godwin (produced in Suffolk, Virginia) and Japanese painter Kenzo Okada resulted in the previous's desire for Zen Buddhism and the teachings of D.T. Suzuki.

Lee Krasner (1908-1984)

Lee Krasner, "The Seasons, " 1957

In 1937, Hans Hoffman informed Lee Krasner (produced in Brooklyn) that one of the woman scientific studies "is brilliant you will not understand that it absolutely was done-by a lady." She is nevertheless mostly of the feminine designers to own had a retrospective tv show in the Museum of contemporary Art, held six months after the woman demise.

Ethel Schwabacher (1903-1984)

Ethel Schwabacher, Antigone I, 1958

In line with the DAM, Ethel Schwabacher (produced in new york) explored psychological facets of the landscape, imagination and maternity in her paintings - subjects that have been informed by her very own commitment to psychoanalysis.

Helen Frankenthaler (1928-2011)

Helen Frankenthaler, "Western Dream, " 1957

In 1952, Helen Frankenthaler (born in New York City) painted an item called "Mountains and water" by pouring a combination of thinned home paint and enamel from coffee cans straight onto a canvas, a method that later became referred to as the woman staining method.

Perle Fine (1905-1988)

Perle Fine, "Summertime I, " 1985-1989

Based on DAM, "non-objectivity had been a main goal" in art of Perle Fine (produced in Boston), affected by a want to achieve a pure expression of shade.

Elegance Hartigan (1922-2008)

Grace Hartigan, "Nyc Rhapsody, " 1960

Elegance Hartigan (born in Newark, nj) had been the actual only real lady included in the 1956 convention "Twelve Americans, " on view during the Museum of contemporary Art.

Jay DeFeo (1929-1989)

Jay DeFeo, "Untitled Everest, " 1955

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