Marilyn Monroe Pop Art Andy Warhol Analysis
If you want to know-all about Andy Warhol, only glance at the area of my paintings and movies and me, and there i'm. There’s nothing behind it. — Andy Warhol
Andy Warhol’s silkscreens and paintings of people, commercial things, and beyond became icons of life in twentieth-century. The Campbell’s soup cans, photographs of superstars, and pictures from newspapers that found embody the tips of Pop art all reflect Warhol’s interest in the ability, beauty, and banality of well-known tradition. Within months of Marilyn Monroe’s suicide, Warhol began painting pictures of her, creating twenty-two paintings of Marilyn by the end of the year. Warhol chose a publicity photo of Marilyn from the 1953 movie Niagara and cropped the image on a close-up of her face. The origin for Twenty-Five Colored Marilyns is not fundamentally Marilyn Monroe by herself; it really is a reproduction of promotion photo. In Modern’s Twenty-Five coloured Marilyns, Warhol utilized the silkscreen procedure, then a well known way of commercial printmaking, to replicate Marilyletter's face. The unequal inking associated with the image translates her face with various quantities of clarity, plus the tilt of the grid provides piece a handmade quality. Warhol will not provide us with one Marilyn; he gives us twenty-five. Possibly he wants us to take into account our obsession with superstars, or even claim that even more is often better, particularly in the way it is of a high profile with an already common image. As a star produced by and film and photograph-even her phase name had aesthetic and aural appeal-Marilyn Monroe existed as an embodiment of allure, star, and intercourse appeal. In producing works together Marilyn Monroe's image whilst the focus, Warhol requires us to consider the way we attempt to embody or prevent these some ideas ourselves.