19th century Romanticism Art
What was Romanticism? Well, although the name may sound a bit lovey-dovey, as an art (and literary) movement Romanticism really had nothing to do with love or romance.
It DID have actually every little thing to do with feeling, however—Romanticism came to exist in the eighteenth century as a response to traditional ideas and a few ideas. Classicism ended up being orderly, logical, and step by step, while Romanticism took yet another approach by emphasizing emotion and imagination.
For instance, in the same way that a “romantic” might long for “happily previously after” or think strongly adequate in an underlying cause to battle (and perhaps even perish) because of it; Romanticism in art appealed to people on a deeper and various amount than artwork had in the past.
Romanticism in addition had to do with a restored view nature and mankind’s relationship with-it, making landscape paintings in particular significantly more crucial and preferred thus. The Haywain by John Constable, shown above, is a good exemplory case of that.
Constable’s paintings were therefore detailed, wealthy, and expressive so it’s almost like the landscape it self had been exalted, even deified. Only look at the scale involved—the figure is small, therefore fairly unimportant, although the world around him is glorious and beckoning with wide variety websites and seems to explore.
Other intimate painters used emotion inside their work to rally political understanding, like Eugene Delecroix did in his artwork entitled Liberty Leading the People.
It was a rather gruesome painting for the time, and though based on the French Revolution of 1830, it was obviously highly “romanticized” by Delacroix with systems piled high and a symbolically bare-breasted lady (denoting liberty, or freedom) holding the national banner through the burning up city.
Just look—you can barely make-out the steamboat in Steamer in a Snowstorm (if not what the scene reaches very first) but knowing, the amazing power and fury of a wintertime violent storm at sea can demonstrably be sensed through this painting.
And in the finish, Turner’s painting might be among the best types of Romanticism i will give—it clearly shows a deliberate move away from the perfection of classicism, towards specific phrase of modernism.