There are also several

Cubism subject matter

Fauvism

Identify: Group known as by Parisian art critic Louis Vauxcelles in the overview of the 1905 Salon d'Automne: "Donatello au milieu des fauves!" ("Donatello one of the wild beasts!"). The remark had been built in mention of a room in salon by which a classical-looking statue by Albert Marquet was enclosed by paintings by Matisse yet others. Just who: Henri Matisse, Georges Roualt, André Derain, and Maurice de Vlaminck. When: c. 1905-1908. Where: France. What: very first modern activity associated with 20th century however you like and attitude. Movement made up of numerous specific designs. Bold color was a unifying element among the list of Fauves. Subject-matter: pictures of contemporary life (impact of Impressionism). Type: Violently contrasting, non descriptive colors, and flat patterns. Janson Example: MATISSE, The Joy of Lifestyle, 1905-1906. Kissick Sample: MATISSE, Harmony in Red, 1909. Impacted by: Impressionism and Post-Impressionism. Will influence: German Expressionism.

Cubism

(Analytic and Synthetic)

Name: Term coined in 1908 by Louis Vauxcelles after hearing Matisse relate to a painting by Braque as just "little cubes." Like Impressionism and Fauvism, the term was initially derogatory. Which: Pablo Picasso, Georges Braque, Juan Gris, and Raymond Duchamp-Villon. When: c. 1907-1918. Where: France. Just what: Analytic Cubism (earlier stage of Cubism): topic shown just as if seen from a few perspectives at the same time (conventional perspective is abandoned); fragmented space. Synthetic Cubism (later stage of Cubism): split elements tend to be brought together in a layered collage look. Lettering often added, also genuine products (newspapers, labels, etc.). Material: Portraits, figure scientific studies, however lifes, landscapes. Style: Analytic Cubism: dull, muddy, issues with color. Things and back ground addressed with comparable concern. Artificial Cubism: collage look, stencils, real materials, frequently radiant color. Janson instances: PICASSO, Portrait of Ambroise Vollard, 1910 (Analytic Cubism) and PICASSO, still-life with Chair Caning, 1912 (Synthetic Cubism). Kissick Examples: PICASSO, woman with a Mandolin, 1910 (Analytic Cubism) and PICASSO, still-life with seat Caning, 1912 (artificial Cubism). Affected by: Cézanne's later work; African, Oceanic and Iberian sculpture; Rousseau's "primitivism." Will impact: Orphism, Futurism, Cubo-Futurism, Constructivism, and Art Deco.
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