Julian Opie Pop Art
Julian Opie’s tasks are immediately recognisable in public areas commissions across the world. One of the most significant musicians and artists of his generation, their distinctive formal language may be the results of digital alteration, providing photos as black colored outlines and simplified regions of colour; it talks of Minimal and Pop art, of billboard signs, classical portraiture and sculpture and Japanese woodblock images. “Things if you ask me don’t look photographic”, he noticed in 2001. “once I recall those things i did so in one day, including, it's never as a few photographs, high definition images. It’s a series of photos which resemble symbols and signs. It’s like another language.” Opie ‘paints’ utilizing a number of news and technologies, from inkjet on canvas and coated aluminum to vinyl on walls and sculptures of daily functions: scaled-down buildings, life-size cars, signposts. Their programme of purification has been applied to reproductions of paintings, telephone directories, books and portraits, where faces or figures are abbreviated to astonishing likenesses. Landscapes are emptied out-of unmemorable information to be the essence of on their own; the subtle, repetitive movements in Opie’s wall-mounted computer system movies of Japanese surroundings have actually a hypnotic quality.
Julian Opie was created in London in 1958 and lives and works in London. He graduated from Goldsmith’s class of Art, London in 1982. Solo events include Kunsthalle Helsinki, Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Krakow, Poland (2014); National Portrait Gallery, London, uk (2011); IVAM, Valencia, Spain (2010); MAK, Vienna (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremburg, Germany (2003); Ikon Gallery, Birmingham, UNITED KINGDOM (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London (1985). Significant group events through the Shanghai Biennale (2006), 11th Biennial of Sydney (1998), documenta 8, Kassel, Germany (1987) and XIIème Biennale de Paris (1985). His public projects consist of works well with hospitals, such as for example Barts & the London Hospital (2003) and the Lindo Wing, St Mary’s Hospital, London (2012), Heathrow Terminal 1 (1998), the prison Wormwood Scrubs, London (1994) along with his design the musical organization Blur’s record (2000), which is why he was granted the songs Week CADS for ideal Illustration in 2001. Opie’s tasks are held in a lot of significant museum collections such as the Arts Council, England; British Museum, London; Carnegie Museum, Pittsburgh; IVAM Museum of contemporary Art, New York; MoMAT Tokyo; nationwide Gallery of Victoria, Melbourne; National Portrait Gallery, London; Städtische Galerie im Lenbachhaus, Munich; Stedelijk Museum, Amsterdam; Tate range, London therefore the Victoria and Albert Museum, London.